coming home

coming home

‘Coming Home – Returning White Storks to the Land’ is a short film about the relationship between Dorette, her daughter Eti, White Storks and their land. In May 2025 Dorette and Eti released 10 captive bred White Storks from their aviary in North Devon, in the hope that they would establish a breeding colony, returning White Storks to the Devon landscape for the first time in about 600 years.

In the news:

BBC Spotlight (Starts at 05:05) https://www.bbc.co.uk/iplayer/episode/m002dfz0/spotlight-late-news-13062025 BBC https://www.bbc.co.uk/news/articles/cp85dynz32po Fox41 https://www.fox41yakima.com/storks-return-to-skies-after-600-years-thanks-to-rewilding-effort/ Facebook https://www.facebook.com/watch/?mibextid=wwXIfr&v=722790163779478&rdid=Bppo9knY8x9AkPTs

Press release:

Storks have returned to part of the UK after 600 years thanks to an “extraordinary” rewilding effort. Ten white storks have been released at a satellite site of the Keep It Wild Species Recovery Centre in north Devon.

The site, which lies within a privately owned rewilded farm, marks the first successful reintroduction of the birds in this part of the UK for hundreds of years. Storks, tall wading birds known for their black-and-white plumage and impressive wingspan, were extinct in Britain by the 1400s due to hunting and habitat loss. Now Devon has joined a movement across Europe which has seen areas, including Sussex, restoring the birds’ wild populations.

The birds were raised in two large aviaries at the South West site, where footage shows landowner Dorette Engi feeding them in the open aviary before the soft release. Dorette and her children have spent several years rewilding her land, which now includes recreated wetlands, mixed grasslands and restored woodlands. She explained: “These birds haven’t lived freely here in over 600 years, yet as soon as they were given the choice, they stepped out into the landscape like it had always been theirs. “They’ve taken to the thermals, they’re foraging confidently – they seem utterly at home. It makes you realise just how ready the land was to welcome them back.”

Locals are already reporting sightings of the birds. Dorette added: “Seeing them above the tree line, circling with effortless grace, it takes your breath away. It feels like new life, and hope.” Some of the birds were bred at the Rewilding Coombeshead site near Lifton, in partnership with author and rewilding expert Derek Gow.

Derek, known for his work restoring species such as beavers, wildcats and water voles, is based at his Rewilding Coombeshead site. He says storks have a key role to play in reshaping how we think about wildlife in Britain “We don’t need to manage every moment of a wild animal’s life, we need to give them the space and conditions to manage themselves. Storks are scavengers, foragers, and brilliant natural indicators of healthy ecosystems. If they thrive here, it means the land is coming back to life. These birds connect us to a time when wild animals were part of the living countryside. But it’s not about nostalgia – it’s about function, and restoring the full richness of our ecosystems.” This project has been intentionally kept quiet to allow the birds to settle without disturbance, and the storks released from the North Devon site are not tracked with GPS – which the recovery centre says allows the animals “full autonomy”.

Film Produced, Directed, Filmed & Edited by Deryck van Steenderen Cameras Poul Brix and Sacha Dench Music ‘Epic War Trailer’ by Alexey Mirenkov (BMI), bought and licensed for use from Pond 5.

coming home

coming home

'Coming Home - Returning White Storks to the Land' is a short film about the relationship between Dorette, her...

read more
the decisive moment

the decisive moment

Henri Cartier-Bresson coined the phrase the decisive moment, particularly in relation to his street photography he became so famous for. Photography is all about the decisive moment, that split second in time in which the photographer chooses to create the image. It’s difficult to teach someone when to press the shutter release button to create an image, the decisive moment comes intuitively. Photographers have to learn to trust our gut as to when that decisive moment that creates magic is and react instinctively.

The other day I went for a walk on my own at sunset. I had been filming the new hovercraft in Portsmouth that runs from Portsmouth to Ryde on the Isle of Wight and it looked like it would turn out to be the perfect evening. It did and people came down to the beachfront to enjoy the sunset. The light kept getting better and better and I kept shooting. As I was about to leave I noticed a man in a turban looking out over the channel. His profile was striking and his pose almost regal, majestic. I shot a few frames of him excited about the shot. I shoot with both eyes open, a skill that took practice to perfect. The benefit of doing it is that you can still use the peripheral vision in the eye not looking through the camera’s viewfinder. I noticed two young women pushing a pram walking into the background and waited for the decisive moment in which magic is created…

 

coming home

coming home

'Coming Home - Returning White Storks to the Land' is a short film about the relationship between Dorette, her...

read more
50point5

50point5

50point5 is a fine art photography project that examines the barriers that divide the people of South Africa as a result of apartheid. It is a project of love and loathing that I have been working on for over seven years.Love for the people of South Africa and the art of photography. Loathing for apartheid and what it did to the people.

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The images were created along the 50.5km route from my former home in Vredehoek, Cape Town, South Africa, to a private university in Stellenbosch, one of the wealthiest towns in South Africa, where I lectured in photography on a part time basis for five years. The route took approximately 45 minutes to drive, depending on traffic, giving me time to observe and think. The reality of post apartheid South Africa is blatantly clear along this route with the route running from affluent areas, overlooking the former District Six leaving Cape Town, townships, past the Cape Town International Airport, more townships, farmlands in the wine route, finally arriving at the office park where the university is based that overlooks an access controlled private residential golf estate surrounded by electrified fencing and patrolled by armed guards.

The gap between the haves and the have nots is extreme with the poor living in abject poverty in shacks, entire families sharing a shack, whole communities sharing rows of prefabricated toilets and communal water stand pipes. Serious crimes like rape and murder occur daily, seldom, if ever, featured in the news. The police are so overworked that criminals literally get away with murder. Shack fires occur frequently often destroying hundreds of shacks per fire, the people losing everything they own in the fires. Education at the majority of township schools is poor with teachers often not arriving for work, teen pregnancies high and violence commonplace. The government’s answer to the education crisis in South Africa was to lower the pass rate required to finish high school so that more pupils matriculate.

The wealthy live in luxury protected by private security companies, often in access controlled electrified fenced private estates patrolled by armed guards. Domestic servants (gardeners and maids) come from the surrounding townships to work for the wealthy, often for minimum wage, returning to the townships in the evenings. The extreme in this daily journey from township to private luxury back to township must be mind bending, driving home the inequality as a result of apartheid.

The project comprises of a BOOK of 50 and a half images as well as limited edition fine art gicleé prints, available in a series of a maximum of five prints per image.

Read more about the project here.

coming home

coming home

'Coming Home - Returning White Storks to the Land' is a short film about the relationship between Dorette, her...

read more